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Wednesday, August 16, 2017

About the Other Weekend: Paul Thomas Anderson at BAM

BAMcinématek was honored to host director Paul Thomas Anderson for the beginning of the Jonathan Demme: Heart of Gold film series. He was joined by producer Edward Saxon, actor Paul Lazar, and Demme biographer Louis Black. We had four packed screenings of Something Wild, Melvin and Howard, Married to the Mob, and Citizen’s Band.

In in-depth Q&As, guest speakers shared personal and professional anecdotes about the late filmmaker, including some eclectic and hilarious behind-the-scenes knowledge. Some of the highlights involved the casting of Demme’s features.
 

Monday, August 7, 2017

Beautiful Game: An Interview with /peh-LO-tah/’s Marc Bamuthi Joseph

Soccer—as both an intricate, euphoric choreography and an exploited corporate cash cow—is the subject of /peh-LO-tah/, an electric meditation on the racial dimensions of the sport from multi-talented theater artist and performer Marc Bamuthi Joseph (red, black & GREEN: a blues, 2012 Next Wave). Using spoken-word poetry and fútbol-inspired footwork, Joseph and four performers dribble and pass their way from the pickup games of rural Haiti to the mega stadiums of Rio and Johannesburg, parsing the social justice of soccer to the sounds of hip-hop and samba. Against his own childhood memories of the game as a race-transcending source of happiness, Joseph posits a global reality in which black joy is all too often co-opted for financial gain, yet perseveres nonetheless. We sat down with Joseph to discuss the work in anticipation of its New York premiere this fall during the 2017 Next Wave Festival.

Photo: Bethanie Hines



Can you discuss the idea of soccer as a universal language?

Soccer isn’t just the world’s most popular sport, it is the activity to which we globally assign the most value as an emblem of cultural aesthetics. It isn’t just success on the pitch that communicates a nation’s character, it’s how the game is played, from Ghanaian grace to Brazilian flair to Spanish polyrhythm to German focus and consistency. That universality then is more pronounced against the stark contrast of political monocultures and repressive regimes. How do we register that universal joy in the shadow of South African apartheid? How do we reconcile with a country that meddles in the elections of other sovereign nations and also invites the planet to roam freely within its borders during the World Cup? In this case the sport reveals that joy is universal, as are the contradictions inherent among the men and women who passionately engage in it.